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The poster for Songs of Solidarity, with the title in white font, in front of an image of portraits.
Songs of Solidarity
An interdisciplinary project working with refugees to co-create a new epic
St Hilda's College
A poster for the conference on Phoenician Women, showing the title written in Greek, against a red and black background depicting a blindfolded person.
The Ancient Wrath of Ares: Studies in Euripides’ Phoenician Women
An online conference supported by the APGRD
Zoom
A close-up of Pieter Bruegel's painting, The Tower of Babel.
Aristophanes after Babel: Plutus in Translation from the Early Modern Period to the Present Day
Conference
University of Grenoble
A scene from a black-figure vase showing women weaving at a loom.
Reworking Epic: Across Time, Media and Cultures
One-day event on epic and its receptions
Lecture Theatre, Ioannou Centre
A colour photograph of Zimbabwean writer and academic, Tinashe Mushakavanhu, holding an open book
Performing Archives in the Digital Present - the Inaccessible and the Invisible
A pop-up hybrid workshop for archiving professionals, archive users, and academics
Tinashe Mushakavanhu
APGRD Study Room, Ioannou Centre
Ninth-century colour illustration of a collection of theatrical masks for the play Phormio by Terence
Terentian scholarship
One-day hybrid conference on Terentian comedy and scholarship
Corpus Christi College Oxford and Zoom
An orange image of two soldiers in battle, illustrated in the style of a Greek vase painting.
Christopher Logue and the Classics
A hybrid one-day conference
Henry Power (keynote)
Lecture Theatre, Ioannou Centre
PHOEBE GIANNISI AT THE ONASSIS FESTIVAL ANTIGONE NOW, NEW YORK, 2016. PHOTO: BEOWULF SHEEHAN
The Poetry of Phoebe Giannisi - Readings, Performance, Conversation
Public lecture, performance
Phoebe Giannisi, 
Brian Sneeden, 
Laura Jansen
Harvard University and online
Medea archive items
Performing Archives in the Digital Present - value and impact
A hybrid workshop for archiving professionals, archive users, and academics
Ana María Dopico, 
Daniel Howell, 
Anabel de la Paz, 
Erin Lee
Outreach Room, Ioannou Centre
Dress rehearsal photograph of the 2022 play iKrele leChiza; photo by Rob Keith
Re-Imagining Tragedy Across Africa and the Global South
Conference
Lecture Theatre, Ioannou Centre
Monumental head of the goddess Commagene (Tyche-Bakht) from Mount Nemrut
23rd Annual Joint Postgraduate Symposium on Ancient Drama
Symposium
Precarity, Vulnerability, and Power in the Theory and Practice of Greek and Roman Drama
St Hilda's College and Royal Holloway
The cover of Translating Ancient Greek Drama in Early Modern Europe.
Book Launch: Translating Ancient Greek Drama in Early Modern Europe (15th-16th Centuries)
Book launch
Malika Bastin-Hammou, 
Giovanna Di Martino, 
Cécile Dudouyt, 
Lucy Jackson
Nunn Hall, Room 421, 20 Bedford Way, London, WC1H 0AL
Photograph of two Plaster replicas of the Knossos ‘snake goddesses’ in the Ashmolean Museum
Finding the Snake Goddess: new poems by Ruth Padel
Public lecture/performance
Ellen Adams, 
Nicoletta Momigliano, 
Christine Morris, 
Andrew Shapland
Lecture Theatre, Ioannou Centre
Poster advertising the play Fragments: image shows a woman from behind, holding a wood-axe, she stands on ancient Greek text written on a giant fragment of papyrus, lit from above by an oversized black angle-poise lamp
Shadows and songs: the fragment as creative impulse
Public lecture
Lori Hopkins, 
Enrico Prodi, 
Alex Silverman, 
Laura Swift
Lecture Theatre, Ioannou Centre
All-Night Epic
An overnight performance of the Epic of Gilgamesh
Jacqueline du Pré Music Building, St. Hilda's College Oxford
A close-up of Naumachia nel Giardino Ducale di Parma
Memory and Performance: Classical Reception in Early Modern Festivals (15th-18th Century)
Conference
University College London
A photo of a bookshelf.
What makes a 'classic'? Interdisciplinary postgraduate workshop
Conference
Lecture Theatre, Ioannou Centre
Catullus in Song
Workshop
Stephen Sharkey, 
Jack Tarlton, 
Alex Silverman
JdP, St Hilda's College, Oxford