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Ancient Greek Theatre in the Black Sea
King's College London
A black and white photo of the Greek theatre at Epidauros.
Spaces and Places in the Theory and Practice of Greek and Roman Drama
14th Annual Joint Postgraduate Symposium on Ancient Drama
Royal Central School of Speech & Drama (London); 66 St Giles (Oxford)
Participants during the Chorus in Action Workshop, standing with arms raised.
Chorus in Action
Ioannou Centre, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: White Noise: the Modern/Roman Elegy
Week 8 of the 2013 research seminar
Genevieve Liveley
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: The Tragic Phonograph
Week 7 of the 2013 research seminar
Shane Butler
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Tragedy, history and biography
Week 6 of the 2013 research seminar
Chris Pelling
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genres of Reception in Philostratus
Week 5 of the 2013 research seminar
Jas Elsner
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: "Eleusinian mysteries": H.D's film writing and film performance
Week 4 of the 2013 research seminar
Laura Marcus
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Epic to lyric in Oswald and Köhler
Georgina Paul
Georgina Paul
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genre, ideology, archetype: the case of tragedy
Week 2 of the 2013 research seminar
Ingo Gildenhard
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Archilochus’ Cologne Epode and the transformation of an epic type-scene
Week 1 of the 2013 research seminar
Laura Swift
First Floor Seminar Room, 66 St Giles', Oxford
Ancient Dance in Modern Dancers: A colloquium on approaches to dance research
Ioannou Centre, 66 St Giles', Oxford
Nineteenth-century oil painting of ancient Trojan woman crying out in distress
Pastness/Belatedness in the Theory and Practice of Greek and Roman Drama
13th Annual Joint Postgraduate Symposium on Ancient Drama
Royal Central School of Speech and Drama; University of Oxford
A painting of an open book, stood upright, the right-hand page shows an image of a ladder against a wall, a man at the top of the ladder is looking out over the top of the book
Reception, Translation, and Dissolution (Pope, Homer, Dante, Tennyson, Conrad)
Week 8 of the Reception and Translation research seminar
Matthew Reynolds
First Floor Seminar Room, 66 St Giles
A painting of an open book, stood upright, the right-hand page shows an image of a ladder against a wall, a man at the top of the ladder is looking out over the top of the book
Translating Sophocles' Electra: Community and subjectivity
Week 7 of the Reception and Translation research seminar
Margaret Williamson
First Floor Seminar Room, 66 St Giles
A painting of an open book, stood upright, the right-hand page shows an image of a ladder against a wall, a man at the top of the ladder is looking out over the top of the book
Dryden's Aeneis and the Writing of Empire
Week 6 of the Reception and Translation research seminar
Stuart Gillespie
First Floor Seminar Room, 66 St Giles
Rameau's 'Anacréon' (1754): Study Afternoon
Lecture Theatre, 66 St Giles', Oxford
A painting of an open book, stood upright, the right-hand page shows an image of a ladder against a wall, a man at the top of the ladder is looking out over the top of the book
Seneca's Oedipus, by Hook or by Crook
Week 5 of the Reception and Translation research seminar
Henry Stead
First Floor Seminar Room, 66 St Giles