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Black Odysseys

The Homeric Odyssey in the African Diaspora since 1939
Cover of 'Black Odysseys', with the title in white against a dark green background and Romare Bearden's 'The Cyclops'
Justine McConnell
2013
    About

    Black Odysseys explores creative works by artists of ultimately African descent, which respond to the Homeric Odyssey. Considering what the ancient Greek epic has signified for those struggling to emerge from the shadow of Western imperialism, and how it has inspired anti-colonial poets, novelists, playwrights, and directors, McConnell examines twentieth- and twenty-first century works from Africa and the African diaspora, including the Caribbean and the United States. Following in the wake of Aimé Césaire, this volume considers works by Ralph Ellison, Derek Walcott, Jon Amiel, Wilson Harris, Njabulo Ndebele, and Jatinder Verma. 

    Publisher
    Oxford University Press
    1. Introduction: The Odysseys of Postcolonialism 
    1. A Martiniquan Ithaca: Aimé Césaire's Cahier d un retour au pays natal 
    1. Invisible Odysseus and the Cyclops: Ralph Ellison's Invisible Man 
    1. The 'unread' Homer: Derek Walcott's Omeros and The Odyssey: A Stage Version 
    1. A Deep South Odyssey: Jon Amiel's Sommersby 
    1. Cross-Cultural Nostoi: Wilson Harris' The Mask of the Beggar 
    1. South African Penelopes: Njabulo Ndebele's The Cry of Winnie Mandela 
    1. Coda: New Directions: Jatinder Verma and Tara Arts 
    1. Conclusion: Rewriting Odysseys 
    1. Appendix: Interview with Jatinder Verma