| Plays International. Vol.16.9 (June / July 2001) |
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| Plays International. Vol.17.5 (February / March 2002) |
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| Plays International. Vol.17.6 (March / April 2002) |
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| Plays International. Vol.17.8 (May / June 2002) |
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| Plays International. Vol.17.9 (June / July 2002) |
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| Plays International. Vol.18.12 (September/October 2003) |
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| Plays International. Vol.19.1 (October/November 2003) |
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| Plays International. Vol.19.3-4 (December 2003) |
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| Plays International. Vol.19.6 (March / April 2004) |
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| Plays International. Vol.21.5-6 (Spring 2006) |
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| Plays: Three. Bingo; The Fool; The Woman; Stone |
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Edward Bond (1934-2024) |
| Production Records for Persai; Philoktetes; Medeia; Orinthes; Dyskolos (Pilot Phase Results) |
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| Reception Studies |
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Lorna Hardwick |
| Reclaiming Greek Drama for Diverse Audiences: An Anthology of Adaptations and Interviews |
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Melinda Powers |
| Reimagining Greek Tragedy on the American Stage |
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Helene Foley |
| Rolling out the Red Carpet: Power 'Play' in Modern Greek Versions of the Myth of Orestes from the 1960s and 1970s. Part I |
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Gonda A. H. Van Steen |
| Stage Design - Costumes 3 |
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Dionysis Fotopoulos |
| Sybil Thorndike: A Life in the Theatre |
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Sheridan Morley, John Gielgud |
| Tantalus: An Ancient Myth for a New Millenium [sic] |
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John Barton |
| Teater i Stockholm 1910-1970. Vol. 2 : Repertoar [The theatre in Stockholm 1910-1970. Vol. 2, Repertory] |
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Faculty of Arts Umeå University |