| Person | Credit | Notes |
|---|---|---|
| Marie-Helene Dasté | Costumes | |
| Jean-Louis Barrault | Actor | Corypheus / Orestes |
| Jean-Louis Barrault | Director | |
| Pierre Boulez | Composer |
| Venue | Country | Dates | APGRD Notes | Festival |
|---|---|---|---|---|
| unknown venue (Paris, Île-de-France, France) | France | May 1955 | Festival de Bordeaux | |
| Théâtre Marigny (Paris, Île-de-France, France) | France | October 1955 |
| Title | Year | Format | Content |
|---|---|---|---|
| Pier Paolo Pasolini, Luca Ronconi und die griechische Tragödie: eine Neuinszenierung von Pilade | Photocopy | chapter | |
| The Memoirs of Jean-Louis Barrault: Memories for Tomorrow | Photocopy | book | |
| The Theatre of Jean-Louis Barrault | Photocopy | book | |
| Today's Oresteia: The Story of Orestes | Booklet | booklet |
| Title | Contributors | Year | Format | Pagination |
|---|---|---|---|---|
| Die Orestie des Aischylos auf der modernen Buhne | Anton Bierl | Book | ||
| Living Greek Theatre: A Handbook of Classical Performance and Modern Production | J. Michael Walton | Book | ||
| Aeschylus: Oresteia | Helene Foley, Peter Meineck | Book | ||
| Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium | Katharine Worth, Amanda Wrigley, Lorna Hardwick, Kathleen Riley, Pantelis Michelakis, Erika Fischer-Lichte, Helene Foley, Froma I. Zeitlin, Peter G. McC. Brown, David Wiles, Fiona Macintosh, Edith Hall, Oliver Taplin, Timberlake Wertenbaker (1951-) | Book | ||
| Agamemnon in Performance: 458 BC to AD 2004 | Inga-Stina Ewbank, Susanna Phillippo, Dmitry Trubotshkin, Margaret Reynolds, Yopie Prins, Amanda Wrigley, Lorna Hardwick, Michael Ewans, Massimo Fusillo, Pantelis Michelakis, Helene Foley, Pat E. Easterling AKA Patricia, Rush Rehm, Fiona Macintosh, Anton Bierl, Pierre Judet de la Combe, Edith Hall, Oliver Taplin, J. Michael Walton | Book | ||
| Thespis: Bulletin of the Greek Center of the ITI. Vols 4-5 (June 1966) | Marios Ploritis | Journal | ||
| Theorising Performance | Stephe Harrop, Edith Hall | Book |