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Showing 18 of 275 events
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Annual Joint Postgraduate Symposium
Classical Literature and the Mind of Europe, seminar 2020
Classics and Poetry Now, seminar 2019
Classics and the Now, seminar 2018
Greek Tragedy On Screen, seminar 2024-25
Plautus' Stichus
Reception and Genre, seminar 2013
Reception and Politics, seminar 2011
Reception and Scholarship, 2015
Reception and Translation, seminar 2012
Reception and World Literature, 2016
Reception and its Relations, seminar 2010
Reception and the Senses, seminar 2014
Receptions and Comparatisms, seminar 2021
Terence's Eunuchus
Terence’s Phormio
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Public lecture
Helen McCrory in conversation with Edith Hall (KCL) on Medea (National Theatre, 2014)
Helen McCrory and Edith Hall
Lecture Theatre, 66 St Giles', Oxford
Monday, May 11, 2015 - 14:15
Public lecture
Gwyneth Lewis on Clytemnestra
Lecture Thetare, 66 St Giles'
Monday, March 9, 2015 - 14:15
Public lecture
Henry Fielding's Homer
Public lecture
Henry Power (University of Exeter)
Lecture Theatre, 66 St Giles', Oxford
Monday, January 26, 2015 - 14:15
Seminar
Reception and the Senses: Sensory Prototypes for Ancient Entertainment
Week 8 of the 2014 Research Seminar
Anna Foka
First Floor Seminar Room, 66 St Giles', Oxford
Monday, December 1, 2014 - 17:00
Seminar
Reception and the Senses: Objects from the Grand Tour; or, Five ways to handle separation
Week 7 of the 2014 Research Seminar
Helen Slaney
First Floor Seminar Room, 66 St Giles', Oxford
Monday, November 24, 2014 - 17:00
Public lecture
Ian Rickson on directing 'Electra'
Ian Rickson (Director)
Monday, November 24, 2014 - 14:15
Seminar
Reception and the Senses: Literature and Pain Management
Week 6 of the 2014 Research Seminar
Robert Douglas-Fairhurst
First Floor Seminar Room, 66 St Giles', Oxford
Monday, November 17, 2014 - 17:00
Seminar
Reception and the Senses: Ancient Greek Vases and Modern British Bodies
Week 5 of the 2014 Research Seminar
Alexia Petsalis-Diomidis
First Floor Seminar Room, 66 St Giles', Oxford
Monday, November 10, 2014 - 17:00
Seminar
Reception and the Senses: Senses and sites: reception and the senses in Roman Archaeology
Week 4 of the 2014 Research Seminar
Zena Kamash
First Floor Seminar Room, 66 St Giles', Oxford
Monday, November 3, 2014 - 17:00
Collaboration
Public lecture
Working with Martha Graham
Marni Thomas Wood (Martha Graham School of Contemporary Dance)
Lecture Theatre, 66 St Giles', Oxford
Monday, November 3, 2014 - 14:15
Seminar
Reception and the Senses: Hearing Ancient Sounds through Modern Ears
Week 3 of the 2014 Research Seminar
Armand D'Angour
First Floor Seminar Room, 66 St Giles', Oxford
Monday, October 27, 2014 - 17:00
Public lecture
Physical Comedy in a 'New' Greek Papyrus: Peter Parsons' Knock-about Farce P.Oxy. 5189
Speaker: Peter Parsons (Oxford),
Respondent: Richard Hunter (Cambridge),
Chair: Edith Hall (KCL)
Lecture Theatre, 66 St Giles', Oxford
Monday, October 27, 2014 - 14:15
Seminar
Reception and the Senses: Smell and Smelling in Ancient Rome
Week 2 of the 2014 Research Seminar
Mark Bradley
First Floor Seminar Room, 66 St Giles', Oxford
Monday, October 20, 2014 - 17:00
Public lecture
EVENT CANCELLED: Mediating Medea
Anthony Boyle (University of Southern California)
Lecture Theatre, 66 St Giles', Oxford
Monday, October 20, 2014 - 14:15
Seminar
Reception and the Senses: Rhetoric and Wonder in Shakespeare's Sonnets
Week 1 of the 2014 Research Seminar
Katharine Craik
First Floor Seminar Room, 66 St Giles', Oxford
Monday, October 13, 2014 - 17:00
Public lecture
'A Midsummer Night's Dream': Metamorphosing the Classical
Public lecture
Sukanta Chaudhuri (Jadavpur University/All Souls College, Oxford)
Lecture Theatre, 66 St Giles', Oxford
Monday, May 19, 2014 - 14:15
Public lecture
Shakespeare and Epic
Public lecture
Colin Burrow (All Souls, Oxford)
66 St Giles', Oxford
Monday, May 12, 2014 - 14:15
Public lecture
Euripides and Ancient Performance in Los Angeles
Mary Hart (Associate Curator of Antiquities, J. Paul Getty Museum)
Lecture Theatre, 66 St Giles', Oxford
Monday, March 3, 2014 - 14:15
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Research project events
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Performing Epic
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Translating Ancient Drama
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Performing Classics under Fascism
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Archiving Performance in the Digital Present