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Front cover of Die Woche newspaper, Olympics 1936 edition, depicting the face of an ancient statue in front of the olympic rings
Contemporary Political Philosophy and the Ancients
Week 5 of the 2011 Research Seminar, Reception and Politics
Simon Caney (Oxford)
First Floor Seminar Room, 66 St Giles
Front cover of Die Woche newspaper, Olympics 1936 edition, depicting the face of an ancient statue in front of the olympic rings
Is “Diversity” an Aesthetic Concept? Reflections on the History of Variety
Week 4 of the 2011 Research Seminar, Reception and Politics
William Fitzgerald (KCL)
First Floor Seminar Room, 66 St Giles
Front cover of Die Woche newspaper, Olympics 1936 edition, depicting the face of an ancient statue in front of the olympic rings
Athens in Calcutta: The Hellenism of Henry Derozio
Week 3 of the 2011 Research Seminar, Reception and Politics
Phiroze Vasunia (Reading)
First Floor Seminar Room, 66 St Giles
Front cover of Die Woche newspaper, Olympics 1936 edition, depicting the face of an ancient statue in front of the olympic rings
Power and Paradigms: classics in the autobiographies of West African Nationalists
Week 2 of the 2011 Research Seminar, Reception and Politics
Barbara Goff (Reading)
First Floor Seminar Room, 66 St Giles
Front cover of Die Woche newspaper, Olympics 1936 edition, depicting the face of an ancient statue in front of the olympic rings
The democratic tradition from Montesquieu to Grote
Week 1 of the 2011 Research Seminar, Reception and Politics
Oswyn Murray (Oxford)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception and the History of Science
Week 7 of the 2010 Research Seminar, Reception and its Relations
Katherine Harloe (Reading)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Citation as Translation: The Case of Classical Names
Week 6 of the 2010 Research Seminar, Reception and its Relations
Margaret Williamson (Dartmouth)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception and the Media
Week 5 of the 2010 Research Seminar, Reception and its Relations
Pantelis Michelakis (Bristol)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Classical Reception between European Birthright, Colonial Curse and World Literature
Week 4 of the 2010 Research Seminar, Reception and its Relations
Edith Hall (RHUL)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Beyond Reception: On the Sublime
Week 3 of the 2010 Research Seminar, Reception and its Relations
Michael Silk (KCL)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Dionysius of Halicarnassus: An Ancient Reception Theorist
Week 2 of the 2010 Research Seminar, Reception and its Relations
Tim Whitmarsh (Oxford)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception, Aesthetics, and Art History: Xenophon's Account of his Estate at Scillus
Week 1 of the 2010 Research Seminar, Reception and its Relations
Tim Rood (Oxford)
First Floor Seminar Room, 66 St Giles
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Choruses: Ancient and Modern
66 St Giles, Oxford; Jaqueline du Pré Music Building
The Sacrifice of Iphigenia in the Arts
University of Bristol