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Eighteenth century oil painting of a robed woman drawing around the silhouette of a robed man who holds her around her waist.
Philology and Feeling: From the Symposium to the Seminar
Week 1 of the 2015 research seminar, Reception and Scholarship
Constanze Güthenke (Oxford)
First Floor Seminar Room, 66 St Giles
École Nomade, Oxford
Ariane Mnouchkine and Théâtre du Soleil's travelling summer school
Ariane Mnouchkine, 
Théâtre du Soleil
North Wall Arts Centre, Oxford
A photo of actors performing.
Włodzimierz Staniewski on the "Pythian Oratorio"
Włodzimierz Staniewski, 
members of Gardzienice
Jacqueline Du Pré Music Building, St Hilda's, Oxford
Film still showing close up of a pair of a woman's eyes looking out from within a wooden cage
Viewing and Spectating in the Theory and Practice of Greek and Roman Drama
15th Annual Joint Postgraduate Symposium on Ancient Drama
Royal Central School of Speech and Drama (London); Ioannou Centre (Oxford)
A photo of two actors in 'Dust' choreographed by Cathy Marston.
Choreographing the Katabasis
Public lecture, performance
Cathy Marston, 
Tom Sapsford, 
Sonya Cullingford, 
Aaron Vickers
Lecture Theatre, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Sensory Prototypes for Ancient Entertainment
Week 8 of the 2014 Research Seminar
Anna Foka
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Objects from the Grand Tour; or, Five ways to handle separation
Week 7 of the 2014 Research Seminar
Helen Slaney
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Literature and Pain Management
Week 6 of the 2014 Research Seminar
Robert Douglas-Fairhurst
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Ancient Greek Vases and Modern British Bodies
Week 5 of the 2014 Research Seminar
Alexia Petsalis-Diomidis
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Senses and sites: reception and the senses in Roman Archaeology
Week 4 of the 2014 Research Seminar
Zena Kamash
First Floor Seminar Room, 66 St Giles', Oxford
Working with Martha Graham
Marni Thomas Wood (Martha Graham School of Contemporary Dance)
Lecture Theatre, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Hearing Ancient Sounds through Modern Ears
Week 3 of the 2014 Research Seminar
Armand D'Angour
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Smell and Smelling in Ancient Rome
Week 2 of the 2014 Research Seminar
Mark Bradley
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Rhetoric and Wonder in Shakespeare's Sonnets
Week 1 of the 2014 Research Seminar
Katharine Craik
First Floor Seminar Room, 66 St Giles', Oxford
Johann Ulrich Krauss' engraving of Tiresias as a girl hitting snakes with a stick
Shapeshifters
Kae Tempest and Henry Stead perform dynamic contemporary poetic responses to classical myth
Kae Tempest, 
Henry Stead
Basement, Modern Art Oxford
Oscar Wilde and the Classics Colloquium
Lecture Theatre, 66 St Giles', Oxford
Ancient Greek Theatre in the Black Sea
King's College London
A black and white photo of the Greek theatre at Epidauros.
Spaces and Places in the Theory and Practice of Greek and Roman Drama
14th Annual Joint Postgraduate Symposium on Ancient Drama
Royal Central School of Speech & Drama (London); 66 St Giles (Oxford)