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A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Sensory Prototypes for Ancient Entertainment
Week 8 of the 2014 Research Seminar
Anna Foka
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Objects from the Grand Tour; or, Five ways to handle separation
Week 7 of the 2014 Research Seminar
Helen Slaney
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Literature and Pain Management
Week 6 of the 2014 Research Seminar
Robert Douglas-Fairhurst
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Ancient Greek Vases and Modern British Bodies
Week 5 of the 2014 Research Seminar
Alexia Petsalis-Diomidis
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Senses and sites: reception and the senses in Roman Archaeology
Week 4 of the 2014 Research Seminar
Zena Kamash
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Hearing Ancient Sounds through Modern Ears
Week 3 of the 2014 Research Seminar
Armand D'Angour
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Smell and Smelling in Ancient Rome
Week 2 of the 2014 Research Seminar
Mark Bradley
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Rhetoric and Wonder in Shakespeare's Sonnets
Week 1 of the 2014 Research Seminar
Katharine Craik
First Floor Seminar Room, 66 St Giles', Oxford
Performing Epic into the Twenty-First Century
Conference
Lecture Theatre, 66 St Giles', Oxford
Oscar Wilde and the Classics Colloquium
Lecture Theatre, 66 St Giles', Oxford
Ancient Greek Theatre in the Black Sea
King's College London
Reception and Genre (de Chirico)
Reception and Genre: White Noise: the Modern/Roman Elegy
Week 8 of the 2013 research seminar
Genevieve Liveley
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: The Tragic Phonograph
Week 7 of the 2013 research seminar
Shane Butler
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Tragedy, history and biography
Week 6 of the 2013 research seminar
Chris Pelling
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genres of Reception in Philostratus
Week 5 of the 2013 research seminar
Jas Elsner
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: "Eleusinian mysteries": H.D's film writing and film performance
Week 4 of the 2013 research seminar
Laura Marcus
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Epic to lyric in Oswald and Köhler
Georgina Paul
Georgina Paul
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genre, ideology, archetype: the case of tragedy
Week 2 of the 2013 research seminar
Ingo Gildenhard
First Floor Seminar Room, 66 St Giles', Oxford