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Book Launch
Greek Fragments in Postmodern Frames and Atlantide 6
Common Room, Ioannou Centre, 66 St Giles', Oxford
From the Neo-Classical Turn to the Baroque ‘Re’-turn: French Dance in Retrospective Modernity and Recycling Postmodernity
Mark Franko
Outreach Room, Ioannou Centre, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Sensory Prototypes for Ancient Entertainment
Week 8 of the 2014 Research Seminar
Anna Foka
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Objects from the Grand Tour; or, Five ways to handle separation
Week 7 of the 2014 Research Seminar
Helen Slaney
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Literature and Pain Management
Week 6 of the 2014 Research Seminar
Robert Douglas-Fairhurst
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Ancient Greek Vases and Modern British Bodies
Week 5 of the 2014 Research Seminar
Alexia Petsalis-Diomidis
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Senses and sites: reception and the senses in Roman Archaeology
Week 4 of the 2014 Research Seminar
Zena Kamash
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Hearing Ancient Sounds through Modern Ears
Week 3 of the 2014 Research Seminar
Armand D'Angour
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Smell and Smelling in Ancient Rome
Week 2 of the 2014 Research Seminar
Mark Bradley
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Rhetoric and Wonder in Shakespeare's Sonnets
Week 1 of the 2014 Research Seminar
Katharine Craik
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: White Noise: the Modern/Roman Elegy
Week 8 of the 2013 research seminar
Genevieve Liveley
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: The Tragic Phonograph
Week 7 of the 2013 research seminar
Shane Butler
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Tragedy, history and biography
Week 6 of the 2013 research seminar
Chris Pelling
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genres of Reception in Philostratus
Week 5 of the 2013 research seminar
Jas Elsner
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: "Eleusinian mysteries": H.D's film writing and film performance
Week 4 of the 2013 research seminar
Laura Marcus
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Epic to lyric in Oswald and Köhler
Georgina Paul
Georgina Paul
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Genre, ideology, archetype: the case of tragedy
Week 2 of the 2013 research seminar
Ingo Gildenhard
First Floor Seminar Room, 66 St Giles', Oxford
Reception and Genre (de Chirico)
Reception and Genre: Archilochus’ Cologne Epode and the transformation of an epic type-scene
Week 1 of the 2013 research seminar
Laura Swift
First Floor Seminar Room, 66 St Giles', Oxford