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Poster image
Classics and the Now: Epic and the Podcast
Week 5 of the 2018 Research Seminar
Justine McConnell
First Floor Seminar Room, 66 St Giles', Oxford
Poster image
Classics and the Now: Untimeliness and Theatre
Week 4 of the 2018 Research Seminar
Simon Goldhill
First Floor Seminar Room, 66 St Giles', Oxford
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Classics and the Now: The Untimely End of Democracy in the Classical Now
Week 3 of the 2018 Research Seminar
Carol Atack
First Floor Seminar Room, 66 St Giles', Oxford
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Classics and the Now: Disability, Identity and the Now
Week 2 of the 2018 Research Seminar
Hannah Silverblank, 
Marchella Ward
First Floor Seminar Room, 66 St Giles', Oxford
Poster image
Classics and the Now: Positions / Perspectives
Week 1 of the 2018 Research Seminar
Felix Budelmann, 
Fiona Macintosh, 
Pantelis Michelakis
First Floor Seminar Room, 66 St Giles', Oxford
Singulier pluriel - spécificité des écritures pour la scène théâtrale: Seminar with playwright Enzo Cormann
Enzo Cormann
First Floor Seminar Room, Ioannou Centre, 66 St Giles, Oxford
Celebrating Karolos Koun
Jacqueline du Pre Music Building, St Hilda's College, Oxford
Italy and the Classics
Lecture Theatre, Ioannou Centre, 66 St Giles'
From the Neo-Classical Turn to the Baroque ‘Re’-turn: French Dance in Retrospective Modernity and Recycling Postmodernity
Mark Franko
Outreach Room, Ioannou Centre, 66 St Giles', Oxford
An illustration of a mask.
Stravinsky - Oedipus Rex - Sadler’s Wells, 1960
Outreach Room, Ioannou Centre, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Sensory Prototypes for Ancient Entertainment
Week 8 of the 2014 Research Seminar
Anna Foka
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Objects from the Grand Tour; or, Five ways to handle separation
Week 7 of the 2014 Research Seminar
Helen Slaney
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Literature and Pain Management
Week 6 of the 2014 Research Seminar
Robert Douglas-Fairhurst
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Ancient Greek Vases and Modern British Bodies
Week 5 of the 2014 Research Seminar
Alexia Petsalis-Diomidis
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Senses and sites: reception and the senses in Roman Archaeology
Week 4 of the 2014 Research Seminar
Zena Kamash
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Hearing Ancient Sounds through Modern Ears
Week 3 of the 2014 Research Seminar
Armand D'Angour
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Smell and Smelling in Ancient Rome
Week 2 of the 2014 Research Seminar
Mark Bradley
First Floor Seminar Room, 66 St Giles', Oxford
A cropped image of a painting of Odysseus tied to the past of his ship, surrounded by Sirens.
Reception and the Senses: Rhetoric and Wonder in Shakespeare's Sonnets
Week 1 of the 2014 Research Seminar
Katharine Craik
First Floor Seminar Room, 66 St Giles', Oxford