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Drama in the Colonels’ Greece: Impressions of an eyewitness
Professor Peter Mackridge (Oxford)
Lecture Theatre, 66 St Giles', Oxford
An Attic janiform red-figure aryballos
'African Athena': New Agendas - An Overview
Dr Dan Orrells, 
Tessa Roynon
Lecture Theatre, 66 St Giles', Oxford
"Senecan" theatrical cruelty in England and France in the late 16th and early 17th centuries: audience, citizens and chorus
Professor Christian Biet (Paris X-Nanterre)
Lecture Theatre, 66 St Giles', Oxford
Sophocles at the Airport: On writing Cruel and Tender, a version of Sophocles’ Women of Trachis'
Martin Crimp (playwright)
Lecture Theatre, 66 St Giles', Oxford
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception and the History of Science
Week 7 of the 2010 Research Seminar, Reception and its Relations
Katherine Harloe (Reading)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Citation as Translation: The Case of Classical Names
Week 6 of the 2010 Research Seminar, Reception and its Relations
Margaret Williamson (Dartmouth)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception and the Media
Week 5 of the 2010 Research Seminar, Reception and its Relations
Pantelis Michelakis (Bristol)
First Floor Seminar Room, 66 St Giles
Carefree and Careless: Augustine, Heidegger, and the Critique of Securitas
John Hamilton (Harvard University)
66 St Giles, Oxford
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Classical Reception between European Birthright, Colonial Curse and World Literature
Week 4 of the 2010 Research Seminar, Reception and its Relations
Edith Hall (RHUL)
First Floor Seminar Room, 66 St Giles
August Wilson's African American Dramaturgic Reception of the Classics
Patrice Rankine (Associate Professor of Classics, Purdue University)
66 St Giles, Oxford
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Beyond Reception: On the Sublime
Week 3 of the 2010 Research Seminar, Reception and its Relations
Michael Silk (KCL)
First Floor Seminar Room, 66 St Giles
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Dionysius of Halicarnassus: An Ancient Reception Theorist
Week 2 of the 2010 Research Seminar, Reception and its Relations
Tim Whitmarsh (Oxford)
First Floor Seminar Room, 66 St Giles
After Troy
Glyn Maxwell (playwright), 
Alex Clifton (director)
66 St Giles, Oxford
A composite image showing detail from a white marble frieze depicting 'great poets', including Homer, Dante, and Chaucer, among many others
Reception, Aesthetics, and Art History: Xenophon's Account of his Estate at Scillus
Week 1 of the 2010 Research Seminar, Reception and its Relations
Tim Rood (Oxford)
First Floor Seminar Room, 66 St Giles
Translating the Classics
Jo Balmer (writer and translator)
66 St Giles, Oxford
'Martha Graham: From Mythic Journey to Psychoanalytic Voyage (1947-1953)
Mark Franko (Professor of Dance, University of California, Santa Cruz)
66 St Giles, Oxford
Brutus: Stage Interpretations of the Citizen
David Wiles (Professor of Drama, Royal Holloway University)
66 St Giles, Oxford
Frank McGuinness in conversation
Frank McGuinness (playwright)
Lecture Theatre, 66 St Giles', Oxford